It’s cheeky ( “Let’s make a sandwich!”), dancefloor-shattering ( “This is a DISAS-TUH!”) and just fun to watch two pop stars create magic. Inspired by Quentin Tarantino classics like Kill Bill: Volume 1 and Pulp Fiction (which carried on the Reservoir Dogs-inspired “Video Phone” video), it follows Beyoncé picking up her best gal-in-crime from jail as they both plan a colorful murdering spree at a diner.
Originally meant for Britney Spears, the Grammy-nominated “Telephone” is a pop whirlwind that was made even more crazed with the nine-minute-long short film that picks up where “Paparazzi” left off. But lightning officially struck with the dynamic pair traded in a then-burgeoning technology for a more classic telecommunications device. Lady Gaga and Beyoncé first gave the collaboration thing a try with 2009’s “Video Phone” from the latter’s I Am…Sasha Fierce. After the song is over, you’re left feeling repulsed and uneasy - not only by the predatory men that still freely roam the earth, but the inner demons that you’ve tried and failed to suppress. “You’re just a pig inside a human body / Squealer, squealer, SQUEAL OUT, you’re so disgusting!” she wails on the chorus, which she intensified during a vomit-filled performance at 2014’s SXSW. Being the genius she is, she transformed that traumatic memory into an unsettling call-out to those who take advantage of others. The ARTPOP deep cut is a melodic madhouse, with Gaga using her sexual assault by a music producer at age 19 as an emotional release. If “Scheiße” is chaotic, then “Swine” is the mayhem that tornadoes around it. “Scheiße” is one of her most liberating tunes, commanding the dance floor just as strongly as she commands female empowerment rights: “If you’re a strong female / You don’t need permission.” 17. It’s a ridiculously catchy headspin of Eurodisco, techno, and electroclash found in the deepest corners of Berlin, wired together by whirring synths and a head-pounding bassline. The song is utter chaos in a way that only Gaga could pull off, kicking off with purely nonsensical German tongue. Like the majority of Born This Way, “Scheiße” was the product of Lady Gaga’s tour bus recording sessions as she bulldozed through Europe during The Monster Ball Tour. Leave it up to Gaga to make oral fixations sound so gnarly. “Take a bite of my bad girl meat,” the singer commands over a wobbly, funkified production that’s lifted from the most guttural parts of the Bible Belt. Co-written and co-produced by New Jack Swing legend Teddy Riley, the track is a standout from the rest of the EP’s synth-pop. The Fame Monster gave us the first glimpse of just how brilliantly weird Lady Gaga was going to become, and “Teeth” is the ultimate marker.
It’s a wonder Quentin Tarantino has yet to snatch this to soundtrack his next spaghetti western. Gaga isn’t looking for any kind of redemption here, contrasting the string of biblical references tossed throughout the song. The pink cowboy hat that Lady Gaga donned throughout her Joanne era founds its purpose on “Sinner’s Prayer.” A jangling “take me as I am” midtempo tune, it’s a heartfelt fusion of bluegrass, indie folk, and pop - a product of its eclectic collaborators Mark Ronson, Father John Misty, and BloodPop. In celebration of Lady Gaga’s rising icon status, we present a ranking of our favorite songs. Her vulnerability and willingness to experiment with every inch of her sound and looks has rubbed off on a new generation of quirky singers, who now also have a chance at fame thanks to Lady Gaga helping to pave the way.
Lady Gaga’s journey is an inspiring one: from scoring gigs in the Lower East Side of her native Manhattan to trying to replicate the genius of David Bowie, Queen and Madonna to becoming a fully realized artist whose greatest attribute is fearlessly being herself.
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She even took the hat-wearing literally, going full cowgirl for 2016’s Joanne. Ever since her major-label debut with 2008’s The Fame, she’s donned many hats: a human-motorcycle hybrid for her sophomore album Born This Way (which turned 10 on May 23rd), a Warholian figure for 2013’s ARTPOP, a smoky jazz singer who doubled as Tony Bennett’s BFF, a political advocate for the underrepresented youth, an Oscar-nominated actress (and -winning musician), and a businesswoman who oversees everything from her Born This Way Foundation to her Haus Laboratories cosmetics line. It doesn’t matter which name she goes by, it’s undeniable that Lady Gaga is one of the most exhilarating pop stars of this generation.
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